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8 January 1836 – 25 June 1912. Most renowned painters.

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Arellano, Juan de
1652, oil on canvas, Museo del Prado at Madrid

ID: 18859

Arellano, Juan de 1652, oil on canvas, Museo del Prado at Madrid
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Arellano, Juan de 1652, oil on canvas, Museo del Prado at Madrid


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Arellano, Juan de

Spanish Baroque Era Painter, 1614-1676 Spanish painter. He was the pre-eminent painter of flower-pieces in 17th-century Spain. Although Spaniards of the previous generation had painted such works, it was the inspiration of Flemish and Italian examples in Madrid that from c. 1650 encouraged Arellano's success as a specialist in this genre. According to Palomino, who moved to the Court shortly after the artist's death and befriended many painters who had known him, Arellano began to paint flowers only in his thirties after a beginning that showed little promise.   Related Paintings of Arellano, Juan de :. | Hurrying to the landscape | Portrait of Life Guard Colonel Yevgraf Davydov | Peasant Sitting in Front of his House | Deer in flower garden | Madame Adeaide de France Tying Knots |
Related Artists:
Anna Bilinska-Bohdanowicz
(1857-1893) was a Polish painter, known for her portraits. She was born as Anna Biliska, a daughter of Polish doctor in Ukraine, where she spent her childhood. She lived with her father in Russia, before studying music and art in Warsaw. She went later to study at the Academie Julian in Paris. She lived in France until 1892, when she married a medical doctor named Bohdanowicz and she took his name (Anna Bilieska-Bohdanowicz). They returned to Warsaw after their marriage, where she died a year later of heart attack. Her paintings are known from the reproductions of her portraits of women and often reproduced view of the Unter den Linden in Berlin from 1890.
Giovanni Battista Castagneto
painted Seascape in 1851 - 1900
Thomas Rowlandson
English Illustrator, 1756-1827,English caricaturist, watercolourist, draughtsman and engraver. Although he is commonly thought of as a satirist, most of his drawings are gently humorous, and in some cases objective, records of urban and rustic life. With the exception of a small number of topographical drawings, they are characterized by an abundance of picaresque incidents, whether robust or sentimental, and have much in common with the novels of Laurence Sterne and Henry Fielding, which Rowlandson illustrated in 1808 and 1809.






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